کارکرد سکوت در موسیقی باروک تا معاصر

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Busoni, F. (1911). Sketch of a New Esthetic of Music. New York: G. Schirmer, Inc.

Habibdoost, M.(2014).The Concepts of Music. Rasht: Bolour. (In Persian)

Joseffy, R. (1915). Frederic Chopin, Complete Works for the Pianoforte. IV. New York: G. Schirmer, Inc.

Lissa, Z. (1964). Aesthetic Functions of Silence and Rests in Music. The Journal of Aesthetics and Art Criticism, 22(4), 443–454.

Masoudieh, M. T. (2011). Basics of ethnomusicology (Comparative musicology). Tehran: Soroush. (In Persian)

Rashidi, S. (2011). Semiotics of Iranian Dastgahi music (Analyzing the concepts of signification and musical signification). Nameh Pazhohesh-e Farhangi, 12(46), 109-126. (In Persian)

Sherlaw Johnson, R. (1989). Messiaen. Berkeley and Los Angeles: University of California Press.

Sim, S.(2001). Structuralism and poststructuralism, (Fattah mohammadi, Trans.), Farabi, (41), 111-138. (In Persian)

Spasbin, I. V. (2010). Musical Form, (Masoud Ebrahimi, Trans.), Tehran:Nashr-e Hamavaz. (In Persian)

Unger, M. (1976).Fourth and Fifth Symphonies in Full Score, 125-260. New York: Dover Publications.